Johanna Town

Johanna has previously lit Each Slow Dusk and Blue Sky for Pentabus. 

West End and international credits include Dear Lupin, FencesWhat the Butler Saw, Some Like It Hip HopBetrayal, Speaking in Tongues and Beautiful Thing (West End); Rose (National/Broadway); My Name is Rachel Corrie (Royal Court / West End / NY); Guantanamo (NY/Tricycle/West End); Arabian Nights, Our Lady of Sligo (NY); Haunted (Royal Exchange / NY / Sydney Opera House) The Steward of Christendom (Out Of Joint/ Broadway/ Sydney); Macbeth (Out Of Joint/World Tour) and The Permanent Way (Out Of Joint/ National/ Sydney) Our Country’s Good (Out Of Joint, Toronto, USA). 

Johanna has designed the lighting for the National Theatre, Chichester Festival Theatre, Sheffield Crucible, English Touring Theatre, Manchester Royal Exchange and over 50 productions for The Royal Court. She is an Associate Artist for Theatre 503 where credits include The Life of Stuff (Offie nomination for ‘Best Lighting Designer’). 

Opera includes Porgy & Bess (Royal Danish Opera), Rinaldo (Estonian National Opera); Carmen and Kátya Kabanová (Scottish Opera). Johanna is an Honorary Fellow at Guildhall School of Music and Drama.