Florence Hand (she/her) trained at the Royal Academy of Dramatic Art (RADA) and has always had a passion for everything surrounding music, including composition and performance, as well as sound design.

Sound design work includes: Arminio (Royal Opera House); In Clay (Upstairs at the Gatehouse), A Winter’s Tale (Royal Central School of Speech and Drama); Oh No He Isn’t and Kitty in the Lane (Jack Studio); Saint Hildegard (Bound By Theatre, Vaults Festival). Training includes:  Cyprus Avenue (RADA); As You Like It (RADA); Margot Monroe’s Nibelungen (RADA). She has also worked, as a mixer and radio mic engineer at the National Theatre, the Royal Opera House, Royal Court Theatre and across multiple West End musicals.